痴心女子负心郎[电影解说] 电影解说

评分:
8.0 推荐

分类:短剧 美国 1948

导演:刘易斯·艾伦   

剧情介绍

影院名字:MAX影院

片名:《痴心女子负心郎[电影解说]》

类型:短剧

上映时间:1948

上映地区:美国

导演:刘易斯·艾伦

主演:雷·米兰德,安·托德,杰拉丁·菲茨杰拉德

首播:1948(美国)

集数:完结

语言:

MAX影院为广大观众提供的这部痴心女子负心郎[电影解说]是一部优秀的短剧,痴心女子负心郎[电影解说]的故事十分精彩,因为 痴心女子负心郎[电影解说]的导演充分理解了痴心女子负心郎[电影解说]所要表达的内容,并通过痴心女子负心郎[电影解说]的演员雷·米兰德,安·托德,杰拉丁·菲茨杰拉德等等的完美演绎,表达了出来.痴心女子负心郎[电影解说]于1948上映后就深受好评,评分更是高达8.0,可见痴心女子负心郎[电影解说]确实是一部年度经典的短剧.MAX影院为喜欢观看痴心女子负心郎[电影解说]的网友提供播放线路。

《痴心女子负心郎[电影解说]》剧情讲述了:Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.  This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.
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